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Margo behind a tree

Talk, a cultural introduction

Getting to know the word from all angles...

Michal declines to weigh the feasibility of augmenting his measly Fiction Corpus with a history of world literature books; cites fatigueDictionary icon

I have faith in the prospect of using English as the world's second language. I do question the unsensational manner in which the English tongue is taught.Pointer

Fine-tuning a person's dexterity with a language isn't like producing a brighter firework. A language - a common tongue - is not just a tool that you can teach yourself to wield with a greater amount of precision. A living tongue can't be dissected from the competing values of a clan of people of which it is a description. A language isn't recited; it happens - and keeps happening as long as a circle of people keeps using it.

Teaching people to recite English is to strip them of its cultural context. A capable instructor has to prepare a plan for introducing it; the bravest pupil goes out to seek it.

A dictionary has the potential to be an influential tool. The best dictionaries describe words based on a particular corpus, a body of written language of various size and consistency. Such a corpus might include anything from a book about fine art photography to some decent science fiction writing. I labored on my "lowly" Fiction Corpus to form a precise type of dictionary based on the ability of one man to tell a story in myriad forms. It is a labor of love and listening.

I have framed a million words and I have catalogued them, reshaping them - not simply to teach an American language but to describe the human soul, and to propel that soul or spirit not just to recite but to happen.

Michal's Dictionary Navigation

A Learner's Dictionary: Common Words in EnglishPointer

An Act is the Common Word that Answers the Question, "Whose?"

The most frequently used words in Michal's Corpus that represent common acts

Michal's Dictionary:
Understanding the word Talk

A word can represent many things. First and foremost it represents a type of gesture. A specific way of speaking. A specific way of inscribing a mark. A specific way of moving your hand. To know one of these kinds of gestures is to know how to pronounce the word talk in some kind of way.

If you want to communicate an idea using the word talk, you will need to know what other people are made to think when you make the gesture. You will never have complete awareness of or control over the associations or identities that are invoked by a set of words, but you can know what was and what is a single word's jointly accepted definition, at least for a given place, thereby tracing a direction which will help you to understand what kinds of associations and identities are driving its use.

By using the word yourself, you enter into a long-standing albeit oftentimes unconscious debate over its definition, forever entangling yourself into the history of its use. The way you use it, and which other words you use it with carries weight.

The more you know about where the word talk is located in the fabric of a language, the better you will be at exploiting its cultural power.

Pronunciation of TalkMargo on a trampoline

I have yet to publish a pronunciation for the word talk.

Video of me pronouncing "talk."

Definition of TalkMargo on a trampoline

I have yet to publish the definition of talk.

I'm sure it won't take too long.

Common use of talk in illustrative example sentencesMargo on a trampoline

  1. I'll have to talk to my partner about the issue I raised but otherwise I think we have a deal.

    Audio of me saying the sentence:
  2. I'd like to have a talk with about setting up that kind of a meeting. We need all the partners involved.

    Audio of me saying the sentence:
  3. I have yet to come up with a third sentence using the word talk.

    Audio of me saying the sentence:
  4. I have yet to come up with a fourth sentence using the word talk.

    Audio of me saying the sentence:
  5. I have yet to come up with a fifth sentence using the word talk.

    Audio of me saying the sentence:
  6. I have yet to come up with a sixth sentence using the word talk.

    Audio of me saying the sentence:
  7. I have yet to come up with a seventh sentence using the word talk.

    Audio of me saying the sentence:

Usage of Talk in Michal's Fiction CorpusMargo on a trampoline

An image of young Michal sitting on a potty in front of a typewriter

Michal's Fiction Corpus of Acceptance Literature (FiCAL) is presented under the Bare Bottom imprint. It is currently comprised of six bodies of work, each representing a different pillar of culture and incorporating a wide variety of writhing styles.

Bare Bottom ImprintBack to Usage of Talk: Table of Contents

Talk, a morphological approach

I have yet to make a morphological analysis of the word talk.

That doesn't mean it's not high on my list.

Table of Frequency for the Word "Talk."

This table lists in descending order the total number of times that the word talkand any of its morphological derivations appears in the Fiction Corpus, along with a breakdown of frequency by title, the respective rank of each word in the complete list of all words in the Corpus, as calculated both densely and competitively, as well as the percent increase in frequency of the word over the frequency of the next lowest rank in the complete list.

Margo stretching her arms
Percent Increase over next rankRANKWORDFrequency
TOTAL # of occurencesMCDONALDSJESUSSEXTSIGAJACKSONDINGBATS
densecompetitivemodern/sloppybiblical/tersepoetic/high-browhard/fasttalkymixed salad
-----------
I have yet to publish the table of frequency for the word talk, but I will get to it shortly. -Michal

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Usage of Talk in Death to McDonalds

An aerial view of Dodger Stadium in the foreground, with an imaginary partially submerged Los Angeles behind

A story bible for a comic book series set in a post climate-change California narrated by eight characters who live through a natural disaster that sinks Los Angeles and triggers a war with an expansionist Mexican government covertly supported by China.

Frame #3493

i talked to a crewman who knows mcdonalds left something behind but she doesnt know what it was. she didnt see what happened to it.

Sprint "Iphone" Case

6 September, 8:27 AM

Frame #5548

the patient mustve talked. militiamen are asking me if by any chance i have a bag of money lying around. i told them its mcdonalds's trick.

Sprint "Iphone" Case

25 November, 9:55 AM

Frame #3524

im being paranoid. i should just talk to expedia. ask her if theres anything i can help her with. or is that too obvious.

Sprint "Iphone" Case

7 September, 11:27 AM

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Usage of Talk in The Gospel of Jesus H.

A picture of the planet Mars

An experimental science fiction Christology that makes Jesus the hard boiled narrator of his own early years on a bizarro earth made dark by volcanic ash and informally ruled by a man from Mars who sells bottled air.

Jesus snorted. "He died from an overdose of heroin - just like I've always said. He was a heroin addict. He was taking heroin for years, and finally, he just died. That's it. The last time I talked to him, I could barely hear him breath, but I didn't do anything about it, 'cause that's what it was always like. That particular time, he fell into a coma and died. So I buried him - all by myself. There was no time for police or ceremonies. In those days, there were terrorists all over the place."

"That's the truth?"

Verses 975-976 from the chapter called Security

By that time, your grandfather was dirty and old; he was old before his time. Talking to himself, he looked like a crazy man. Nobody knew exactly what it was that he said, but he wasn't crazy. He was talking to ghosts - very real ghosts.

Verse 72 from the chapter called Adolescence

"What do you want?" he asked.

"Who's your supplier?" I said.

"What?"

"Who's your supplier, I said."

"What are you talking about?"

"Heroin, you asshole."

"I don't deal."

Verses 781-787 from the chapter called Adolescence

"And who's to blame? Those goddamn German-lovers in Parliament: they're the ones who sold us out. The Germans won't even have to invade; they won't even have to bargain: we'll be dispossessed, liquidated. I heard it all on the radio. Those goddamn Germans know it's going to happen: they're talking about it; they're laughing about it: they know we're just going to walk away like beggars. I heard it all on the radio. And you know what? It's all thanks to us: our own stupid selves, not to mention those goddamn German-lovers in Parliament: those Krupniks and Millers. They're goddamn Jews is what they are. You can tell by their faces. Goddamn Jews!"

Verse 304 from the chapter called Adolescence

"I didn't notice him. If he did, he only came to the Mass - didn't have time for the burial. He always has to work. You know why? 'Cause he has to have an estate! He had to build a manor house! He had to buy fields from everybody else. Why did he have to do that? Because he's a 'real farmer!' A Christian farmer! A natural farmer! He's seventy years old! He takes all day to move a barrow of hay from one side of the barn to the other. He falls over when his dogs try to hug him - even though they're starving. Seven dogs he has! Two bitches just gave birth: six in one litter and two in the other. I told him to give 'em away, but he said, 'No, I can't do that. They're good dogs: they're guard dogs. They know when somebody bad is trying to do something. When the neighbors come, they won't let them in: they know what they're about. I can't kill these dogs; I can't do that.' I said give 'em away, but does he listen? No! He just talks ridiculous things all day long!

Verse 254 from the chapter called Adolescence

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Usage of Talk in Sex for Children

A drawing of a man between a woman's legs in front of another man in a hospital bed

A literature book narrated by a pair of siblings on either side of the Atlantic whose profoundly weird sexual experiences pose a serious challenge to their traditional understanding of mathematicians, marriage, gay young men and God.

We've been split: we're divided from each other, and why? Because the pain that he created continues to create its own barriers; we can't talk about it; we are unwilling to break them down because we are ashamed.

– Title 2, Regarding the Romaniac, Part 1, Section 13, Bringing Up a Delicate Subject, Paragraph 7, Clauses 6-7

NIKE: Um...I don't know - maybe.

ANDY: My sister told me what she did that night - what you did, more importantly.

NIKE: I don't know what you're talkin' about.

ANDY: Yeah right: I can't believe you never mentioned this to me.

– Title 3, Regarding a Dream, Chapter 2, The Second Day, Part 1, Labor & Economic Reform, Section 9, The Male Perspective, Paragraphs 3-6

Macy was still talking about breakdowns and alienation. He expressed his hopes that when he had a family and kids of his own, he could avoid these sorts of misfortunes. But I was confused. I tried to picture what he meant by a family, and I couldn't see it. That confusion made me angry, but I couldn't show it.

– Title 2, Regarding the Romaniac, Part 1, Section 14, Feelings, Paragraph 1, Clauses 1-5

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Usage of Talk in Tsiga Tsiga Tsiga

Bullets whizzing by a statue of Nikola Tesla

A collection of stories featuring a sexy Parisian ghost, a spooky Moon base full of vagina-faced aliens, a policeman with an Irish name, a truck full of watermelons, a flautist, and a man who has to see another man about a diseased horse.

The netball league became very popular. Nyota signed up. Purse was instructed to join. He brought with him some secretaries. Junior waited for Nyota to inform him of the opportunity. He pretended to be mildly interested. He let her talk him into it.

Everything was going smoothly until Davis showed up. "You're not an employee," said Junior.

– from “A Horse Named Clutch Bag,” an inspiring story featuring the strength of man

The man obeyed. The helmet came off his head. Tatum was not surprised. It was Uzumaki.

"I came as soon as I lost your signal."

"You've been tracking me."

Uzumaki motioned towards the body. "Is he dead?" Tatum nodded. "It's better that way."

"Start talking."

"The woman and the child: are they safe?"

"You should be more concerned with this gun."

"I apologize, Ms. Read. This was bad luck."

– from “Dirty Manga People Are Disgusting,” a spooky story featuring a lesbian detective

"Not at all," insisted Junior. "I value your opinion." He couldn't believe what he was saying. He was being so strangely respectful. "What were we talking about? Clutch bags. I like the adjective. It lends a certain air of gravity. It's used a lot in baseball."

– from “A Horse Named Clutch Bag,” an inspiring story set in America

Randy was always talking to him in golf metaphors. Ann was also ambitious. Instead of golf, she used the feminist approach. If either one of them caught wind of what he was doing, they would gossip. If the chief operations officer found out, he would tell Dorothea. That would be a disaster.

– from “A Horse Named Clutch Bag,” an inspiring story featuring an affront to morality

"I'm talking about coming all the way out here to practice my riding."

– from “Two Dudes and a Chinese Desert,” a friendship story featuring really poor people

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Usage of Talk in Sorry Ms. Jackson

Chiseled letters from an ancient stone tablet hanging on a wall

A real play. With drama in it. Talk fast. It takes two hours. Set in a guest house. In a small community. After a murder. Lots of suspicion. The characters learn to listen to each other. It's funny.

(LUKE looks confused.)

FLETCHER: You look confused.

LUKE: I thought she meant that she likes to root women.

FLETCHER: Kokomo? I don't know.

LUKE: I don't mean exclusively.

FLETCHER: Just occasionally.

LUKE: Or in tandem.

FLETCHER: Right.

LUKE: I was talkin' to Grey Goose about it.

FLETCHER: What did he say?

– ACT I, lines 728-736

FLETCHER: 'You don't float around staring off into space? You don't flinch when I reach out my hand? You are a fish. You're a catfish. I'm sorry. I didn't mean to tease you. I'm serious. I want to know what's wrong. Are you sick?'

ALICE: 'No.'

FLETCHER: 'You certainly don't seem healthy. I'm going to Father. Maybe he knows what's wrong with you.'

ALICE: 'Fait, Toc. I fay tay you.'

FLETCHER: Toc is my name, by the way; they're my initials. Father is John Jackson, the last of the mutineers - not our real father. 'Alright: speak.'

ALICE: 'Many year aro when you were ritter, te women try to escape in a poat fur of hor. Te men say tat tey fix it, put tey not fix it. Tey laugh when I catch te crap ant ah te women fa in te vater.'

FLETCHER: 'I know this story. Susannah, you're no stranger to water. Don't tell me you're afraid that I would put holes in my canoe and make you fall in.'

ALICE: 'After tis, ah te women talk apout is kirrin' te men. Ant two of tem try.'

FLETCHER: 'You're not saying that you might actually kill me if I humiliated you?'

ALICE: 'I tey you, Toc. You ask me; I tey you.'

– ACT II, lines 81-90

FLETCHER: I had a torrid love affair with a thirty-something-year-old woman. She had a girlfriend.

ALICE: She did?

FLETCHER: I'm just teasing. She had a boyfriend.

ALICE: Don't go around sleeping with other people's partners.

FLETCHER: I didn't say I slept with her. I did sleep with her. We didn't root.

ALICE: I have to say, I never thought that after marriage I would ever feel attracted to a person with the exact same force I had always felt before. I see now that I was wrong.

FLETCHER: I do have a chance.

ALICE: I didn't say I was talking about you.

FLETCHER: Then whom? Grey Goose?

ALICE: Why not?

– ACT I, lines 662-671

GREY GOOSE: Not to mention this island's penchant for making the most grotesque of assumptions - never mind that. I did a terrible thing in burning down that house: I know it. I've been paying for it ever since. I'm finally sorry for doing it. I don't think I could've said that this morning. Something's changed. I don't want to be like that anymore. I don't want to do those things. I think the Australians should mind their own business; that's neither here nor there. If you didn't squeal my name to the police, somebody else did. I'm going to find that person - not to burn down his house - to talk to him calmly and rationally: to put these absurd suspicions to rest. Everybody deserves to hear the truth, especially the people you love. I was kicked out not because of my reputation or the looks you were getting in town. It wasn't because you thought I killed that girl. It was because I hurt you. I hurt you a long time ago and I've always been too selfish to realize it. I expected you to understand - even though I never properly explained myself. It had nothing to do with you. You were perfect. I loved you. I was afraid of being a father. You know my childhood - or perceived lack thereof. I was insecure. I was scared to death. I panicked. I didn't talk to anybody about it because I was ashamed. I thought that, if you knew, you would despise me for it. You were always so strong and fearless. I envied you. When your family came and asked me what was going on, I lied. I acted as if I didn't care about you anymore: as if I had lost interest. Nothing could've been further from the truth. I was an idiot. I was such an idiot. I'm sorry for that. I'm so sorry for everything. I won't trouble you anymore. Even if you and your friend want to move in together, I won't trouble you. File divorce papers in the morning. You can keep the house - and the sofa bed - and the mattress - and the comforter - and the dishwasher. You can even keep the cook - and the boy.

– ACT II, line 356

GREY GOOSE: What are you talking about?

FLETCHER: What have you been spending all this time with him for?

GREY GOOSE: As an excuse to come here.

FLETCHER: What?

GREY GOOSE: Are we in the lay-off?

FLETCHER: I heard from Luke that you said something about Kokomo rooting for money.

GREY GOOSE: That was a mistake.

FLETCHER: What kind of a mistake is that?

GREY GOOSE: A big one.

FLETCHER: I don't get it.

– ACT I, lines 1227-1236

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Usage of Talk in Miscellaneous Dingbats

The title of the book at the end of a string of miscellaneous dingbats

A story book full of short fiction stories. An interesting bedtime mystery. A fairy tale. Science fiction romance. Adult life. Uninspiring gay fiction. Horror.

Proctor pushed him away. "You lied to me," he said. "You knew I was in that letter. That's why you sneaked downstairs and changed it."

"I had to protect you," said John.

"From what?" said Proctor. "You're the one who killed your husband. Are you trying to frame me?"

"I saved you," said John. "How dare you talk to me like this. After all these months of listening to you and him. You think I couldn't hear you? These floors are pretty thin."

"You idiot," said Proctor. "I wasn't his lover."

– from “We Need To Talk,” a mystery story featuring more than one dead body put in a weird position

"Maybe it's a copycat," suggested Bob. "Vic number two's been all over the news. Maybe somebody thought they could pull a fast one."

Proctor said, "There's a man on my list who lives not two blocks from here. I'm going to check it out."

– from “We Need To Talk,” a mystery story featuring a life model put in a weird position

"I don't know," said John.

"How do you not know?"

"I don't remember." John screamed a little too loud. Proctor eased up.

"Where's the letter?"

"Probably in his desk."

"At the gallery?"

"At his apartment."

"What apartment?"

"The one right below us."

"In this building?"

– from “We Need To Talk,” a mystery story featuring a cop put in a weird position

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Collocation of Talk in the Fiction Corpus

Table of Collocation for the Word "Talk."

This table lists in descending order of frequency a selection of word pairs that appear in the Fiction Corpus and groups them according to the morphological derivation of the word talk that appears in the pair.

TypeWORDFrequency
TOTAL # of occurencesMCDONALDSJESUSSEXTSIGAJACKSONDINGBATS
modern/sloppybiblical/tersepoetic/high-browhard/fasttalkymixed salad
--------
I have yet to perform a collocation analysis of "talk." I hope I can get it done sometime soon. -Michal

Love is the answer...

What are we waiting for? Let's accept it!

Are you a eunuch?

The art show that defies abuse

St. Sebastian

Wall art symbolizing strength and protest

St. Sebastian was a member of the Roman Emperor's praetorian guard who had the audacity to teach Christian values while on the job. I think active duty American military men and women who don't vote or who don't publicly express a political opinion because of the uniform are either being idiotic or are being cowed by the threat of punishment from a superior. Either way, they're eunuchs. My purpose in creating the St. Sebastian Series is to put the flesh and face of the true soldier front and center. The good soldier puts his mission ahead of himself. He often ends up dead. The true soldier knows a bad mission when he sees one and he isn't afraid to say it. Saint Sebastian was not a cow, despite what clever people would have you believe. Saint Sebastian is a patron saint for all protestors who face the arrows of the mob for speaking out.

A miniature portrait of MichalMargo at the beach

Help maintain the "Talk" page alive...

If you love women and art...

Michal is importing Polish art...is he non compos mentis?

Michal's Sales Pitch
Lot 1: Silesian Handicrafts

  1. T-shirt fundraiser for sale

    Handcrafted t-shirt fundraiser for sale.

    Last T-Shirt with the logo that I designed. Pointer

    From a set of, I believe, twenty produced by Margo and given out to a portion of the last 20 women to finish the 20th anniversary Fiat Road Race in Bielsko-Biała, cf. the movie. This is the last one left in it's original packaging and my supporters - like the poor women of Bielsko - are going to have to fight for it. Whoever invests the most money with me, and who lets me borrow it to invest in the next lot, will not only be rewarded with some beautiful piece of art, but will get this priceless t-shirt as a reward for being my top supporter. $1000.00 or best offer. Remember to authorize me to hold the sum as credit against a future purchase and to authorize me to borrow against it.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #1 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  2. Felt handbag for sale

    Handcrafted felt handbag for sale.

    Felt bag by Dorota. Pointer

    Entirely hand-sewn. Base: polyester felt, 100% PE. Motif: South American woolen yarn, dyed, 100% wool. Hand-worked with a needle. Unique and inimitable design. Inside: cotton fabric, closes with zipper, inside pocket. Available now for $220.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #2 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  3. Decorative collar for sale

    Handcrafted decorative collar for sale.

    Decorative collar by Zuzanna. Pointer

    Ethnic layered cloth jewelry constructed on a cotton base and adorned with ribbons, tassels, and a yellow fringe. Fastened on the side with 11 buttons, fitted entirely with a pleasant lining. The style is an Indo-Asian-African multinational color combination. The collar is very extravagant and an extraordinary addition to any clothing, guaranteed to attract attention. Just a simple dress and a unique image is ready. Dry-cleaning recommended. Available now for $200.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #3 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  4. Seamless handbag for sale

    Handcrafted seamless handbag for sale.

    Handbag by Sylwia. Pointer

    Handmade from felted all-natural Australian and South American wool. Entirely felted, seamless. Finished with a white lining, inside is a small pocket. Lining is sewn and stitched in by hand. Available now for $180.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #4 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  5. Patchwork quilt for sale

    Handcrafted patchwork quilt for sale.

    Patchwork quilt by Alicja. Pointer

    Bedspread made of cotton and polyester material. Inserted with polyester lining. 90 by 70 cm. Available now for $120.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #5 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  6. Nuno-felt shawl for sale

    Handcrafted nuno-felt shawl for sale.

    Shawl by Sylwia. Pointer

    Scarf made ​​with the nuno felting technique (wet felting fibre into a silk gauze) using South American wool. Two-sided scarf with latticework at the ends. Wholly in the colors red, black, green in an abstract pattern. Available now for $100.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #6 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  7. Clara the doll for sale

    Handcrafted clara the doll for sale.

    Clara by Alicja. Pointer

    Clara loves roses and greenery, adores tormenting spiders with long legs and sleeping soundly in the afternoon. Cuddly toy made of cotton and polyester, stuffed with polyester lining. Available now for $70.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #7 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  8. Noah the doll for sale

    Handcrafted noah the doll for sale.

    Noah by Alicja. Pointer

    Noah doesn't know what to like and what not to like but keeps wondering and thinking about it. Cuddly toy made of cotton and polyester, stuffed with polyester lining. Available now for $70.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #8 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  9. Black suspenders for sale

    Handcrafted black suspenders for sale.

    Black suspenders by Zuzanna. Pointer

    Two-sided suspenders from black material with a rose motif on one side and striped cotton on the other. Connected by a leather triangle. Adjustable length. Hand washing in cold water recommended. Available now for $50.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #9 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  10. Orange suspenders for sale

    Handcrafted orange suspenders for sale.

    Orange suspenders by Zuzanna. Pointer

    Two-sided suspenders made of denim and orange material with a Polish floral folk design. Connected by a leather triangle. Adjustable length. Hand washing in cold water recommended. Available now for $50.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #10 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  11. Green suspenders for sale

    Handcrafted green suspenders for sale.

    Green suspenders by Zuzanna. Pointer

    Two-sided suspenders made of denim and green material with a mountain folk design. Connected by a leather triangle. Adjustable length. Hand washing in cold water recommended. Available now for $50.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #11 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  12. Felt earrings for sale

    Handcrafted felt earrings for sale.

    Felt earrings by Dorota. Pointer

    Material: South American woolen yarn, dyed, 100% wool. Hand-worked with a needle. Pendant of anti-allergenic metal. Available now for $40.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #12 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  13. Round ceramic earrings for sale

    Handcrafted round ceramic earrings for sale.

    Round ceramic earrings by Dorota. Pointer

    Material: Glazed ceramics, hand-molded. Available now for $40.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #13 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  14. Oblong ceramic earrings for sale

    Handcrafted oblong ceramic earrings for sale.

    Oblong ceramic earrings by Dorota. Pointer

    Material: Glazed ceramics, hand-molded. Available now for $40.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #14 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

  15. 'Coral' necklace for sale

    Handcrafted 'coral' necklace for sale.

    Corals by Sylwia. Pointer

    Necklace made ​​of cotton pieces with organdy and decorated with beads, suspended on cotton strings. Can be worn as a necklace, as a brooch or as a belt tied at the side. Available now for $40.00. Ships free of additional charge via USPS (uninsured) unless otherwise directed.

    To purchase please mail a USPS money order in an envelope clearly marked Lot #1/Item #15 to M. Slaby at house number 201 on Ridge Road in the town of West Milford, in the state of New Jersey, one of the beautiful United States of America. The postal code is 07480-3112.

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