Help End Insider Trading With Art

Strength and dignity are her clothing...

Proverbs 31:25

Author's Note: I have been enjoined from sharing the details of my true romance adventure until such time that the other party is prepared to present her perspective on the affair arrangement...

Europe, the summer of 2011. Twelve countries. 46 days. One car. One tent. One man. One woman he's just met.

As an artist, from the beginning of my adult career, my work had been devoted to the problem of body acceptance, a goal that I would later learn was shared by a whole community of people called naturists, a humble portion of which I discovered residing in Poland, a country whose cultural conservatism does not lend itself readily to forward thinking. One of those forward-thinking Polish naturists happened to be Margo.

I was from America, land of the free...home of the brave. She carried the weight of Old Europe...domestic and religious poverties...stifled creativity. Anger. Sadness. Yearning.

Do unto others as you would have done unto you. But how to judge what we would want done to us if we've never been in somebody else's shoes? If we've never been abandoned by our mother, how do we treat somebody who has? Somebody who seems to constantly suffer the repurcussions of it? Margo and I had 46 days and 6,000 miles to try on each other's shoes. We had one car and one tent in which to hear each other's words. We learned to cooperate. We started learning how to listen.

One of Margo's pictures from our trip across Europe. — 6,000 miles across Europe with a complete stranger
**Day 18**
8/6/2011
⛹ 17༛♊²⁵/₂₄♀
Naturistenbun Rhein-Main
Trebur, Germany
THE DISAPPEARING WOMAN, THE DISAPPEARING MAN...
a collection of modern art prints and posters
During our trip across Europe, Margo very bravely opened up to me and to the camera. It was a difficult thing to do considering the scars that she carries. I wanted to share with the world her often joyful, often sad, often angry but always liberating experience except that the Internet is full of pictures of naked women and men and full of trolls who abuse them.
I realized that what I really need to point out is not the openness that Margo and I cultivated between ourselves, but the darkness that continues to surround us. When I censor nudity, I do so in a way that does not compromise the integrity of the human body. In censoring the photographs that Margo and I took during our trip, I was quick to notice that in those pictures where Margo was at her most open, at her most unguarded and most relaxed, in a word, when she was herself and basking in the sun I was forced to blacken her completely.
Why does our society drive people into darkness? Why can we not accept ourselves as we are? Why can we not accept our bodies? Have we truly become eunuchs? Or are we capable of defying the sickness that pits us against each other? Together we could conquer the devils that abuse us.
Whether you enjoy being nude or not, whether you've been photographed nude or not, but especially if, for you, like for Margo, it's something you never thought you would do, consider submitting your own photograph to be published in a censored manner as a form of protest against the ubiquitous presence of the human body on the internet, naked or not, that is published and duplicated ad infinitum without context and without regard for the identity or the needs of the individual being depicted.

Previous Image — 6,000 miles across Europe with a complete stranger
**Day 18**
8/6/2011
⛹ 17༛♊²⁵/₂₄♀
Naturistenbun Rhein-Main
Trebur, Germany
THE DISAPPEARING WOMAN, THE DISAPPEARING MAN...
a collection of modern art prints and posters
During our trip across Europe, Margo very bravely opened up to me and to the camera. It was a difficult thing to do considering the scars that she carries. I wanted to share with the world her often joyful, often sad, often angry but always liberating experience except that the Internet is full of pictures of naked women and men and full of trolls who abuse them.
I realized that what I really need to point out is not the openness that Margo and I cultivated between ourselves, but the darkness that continues to surround us. When I censor nudity, I do so in a way that does not compromise the integrity of the human body. In censoring the photographs that Margo and I took during our trip, I was quick to notice that in those pictures where Margo was at her most open, at her most unguarded and most relaxed, in a word, when she was herself and basking in the sun I was forced to blacken her completely.
Why does our society drive people into darkness? Why can we not accept ourselves as we are? Why can we not accept our bodies? Have we truly become eunuchs? Or are we capable of defying the sickness that pits us against each other? Together we could conquer the devils that abuse us.
Whether you enjoy being nude or not, whether you've been photographed nude or not, but especially if, for you, like for Margo, it's something you never thought you would do, consider submitting your own photograph to be published in a censored manner as a form of protest against the ubiquitous presence of the human body on the internet, naked or not, that is published and duplicated ad infinitum without context and without regard for the identity or the needs of the individual being depicted.

Definition of Literature History

I have yet to publish the definition of Literature History.

I'm sure it won't take too long.

References for literature history

I have yet to find good references for Literature History

Samples of Fiction from Michal's Corpus

Michal's Fiction Corpus of Acceptance Literature (FiCAL) is presented under the Bare Bottom imprint. It is currently comprised of six bodies of work, each representing a different pillar of culture and incorporating a wide variety of writhing styles.

If you're wondering...

How do I use this?

Just click on a title to see examples of "literature" from a particular work. You'll stay on the same spot on the page, only the Table of Contents will disappear. To get back to the Table of Contents just click next to the image of the Bare Bottom imprint where it says "Back to Samples of Literature: Table of Contents."“And...?”

In the case of common words, a Table of Frequency and a Table of Collocation provide numerical information about how many times a word appears in its original or modified form and with which words. It can help to give you an idea of how common words are used and in what contexts. Find them in the "Common Words of English" part of the Education section.“Ok.”

Why a Fiction Corpus?

The popular understanding of the word "fiction" and its complement "non-fiction" is a reflection of the cultural influence of a classification system. The Dewey Decimal System is responsible for separating "fiction" from all other work and categorizing it by author's name. This has influenced the popular idea of fiction as a narrative that tends to be "untrue" and the product of an individual's fantasy, a bias compounded by modern art's century-long obsession with abstraction, surrealism and self-expression.“So...?”

My idea of fiction rests on the idea that art doesn't have to be factual to be a true reflection of our existence. Adam and Eve didn't have to exist as two individuals 700 generations ago for them to be true portraits of two human beings trying to work together.“And...?”

The Bible is a Fiction Corpus. It is a body of writing that isn't overly concerned with facts and yet its words carry weight. It was written by many different authors living in different places with different audiences in mind, yet everyone gleans something from it.“Right...”

In preparing my fiction corpus, I have striven to see the world through the eyes of others. Through the eyes of my Adams and Eves I hope that you too will glean some truth about our existence. At the very least you will learn some more about how one man can use the English language.“Ok.”

Who are you, Michal?

I'm just a guy who makes art. And if you're interested in making a solid investment in an aesthetic that supports our present and future welfare, then I will help you look for something that you can buy.“How...?”

Everybody makes. Everybody sells. Some people know how to protect their interests. Some better than others. Few people know how to listen. Listening to somebody means considering their interests as if they were your own. Going out and doing something to satisfy another person's interest is how we build a strong economy. Without a strong economy, democracy collapses.“And...?”

Buying 4Occupy is buying for democracy. Don't give your money to somebody who's ruining it. There's no such thing as cheap democracy, quick democracy, or easy democracy. There's good, solid, complete democracy and the tyranny of feudalism. Let's not mix the two. Let's not buy everything on the cheap. Let's not create another tyrant and enslave ourselves because it was easier not to think about what we were doing. Let's protect our interests. Let's listen.“Ok.”

Who's really behind this site?

Have you ever been to one of those post-it-yourself retail websites where there's a really attractive top-seller ready to give you tips on how you can be a top-seller too?“Uh...”

Have you ever been to a "job" interview where you sit in a line, walk through one door, get hired as a contractor and walk out another door, so that the other applicants don't realize that everyone's getting "hired" to work in the same market?“Maybe...”

The internet is full of people who are ready to exploit your ignorance. They are people who want to make money at the expense of our economy. They are cheats.“And...?”

I, Michal, am behind this site. Not some fat plutocrat exploiting my image. I like to do things the right way. I like to work with people who take the time to do things right.“Why...?”

I used to work for a company that didn't do things the right way. My labor was exploited because of mismanagement. That company was the United States Postal Service, an independent agency of the United States Government that is ultimately controlled by Congress. I'm mad because if the Federal Government can exploit labor, who is going to stop every other cheat from doing it?“Labor Unions...?”

Don't say labor unions. I went to my labor union and they did nothing. They ignored me because labor unions aren't democracies. Holding a free and fair election for a "representative" once in a blue moon does not equal people ruling. Democracy means open government. It means we the public need to accept the hard work. It's the only way to secure liberty and equality.“Ok.”

What's the difference between use and usage?

Definition-wise, not much. But the -age suffix is ultimately French in origin and with most things French, at least in American eyes, the immediate thought is that of something precious and arcane whose value should be judged very carefully. This is in contrast to the word France, which is associated with a beautiful place. Thus people in France or from France are beautiful, warm, kind people. Generous even. Unlike French people who suck. Unless you're frenching, in which case you're only sometimes sucking.“And...?”

Along those lines, usage means you're in bed. Use means you're just heavy petting. Also notice that common people, like common words, get used...whereas "proper" things make "appearances." Whether or not you are being exploited is a different story. Exploitation is what happens when somebody uses you or your property without listening to you. Listening is what happens when you consider another person's needs as if they were your own. You don't have to satisfy those needs. All you need to do is consider them. So many of us can't even do that.“So...?”

Help stop exploitation. Buy 4occupy. Buy a better world. Whether or not you feel you can afford to buy art, consider joining my protest. I want to guarantee every working man and every working mother on this planet a 15-day universal holiday. But I can't. Only we can do that. We have to work together. We have to accept the idea that everyone deserves time for himself and we need to build that time into a new kind of calendar. We have to give peace it's own day. We have to make love something you can't avoid. We have to make even the most miserly cold-hearted capitalist among us say that he cashed his check on Love Your Neighbor Day. There won't be any other way to say it once the Acceptance Calendar is widely adopted.“Ok.”

Back to Samples of Literature: Table of Contents

Samples of Literature from Death to McDonalds

An aerial view of Dodger Stadium in the foreground, with an imaginary partially submerged Los Angeles behind — A story bible for a comic book series set in a post climate-change California narrated by eight characters who live through a natural disaster that sinks Los Angeles and triggers a war with an expansionist Mexican government covertly supported by China.

Frame #227

expedia called. like i thought. chase comes to the office and leaves as soon as he hears im looking for him. he assumes i want to talk money.

Sprint "Iphone" Case

28 July, 10:09 AM

Frame #230

i miss the average goon. with them you know what youre getting. with barrys daughter my truth or dare radar is totally off.

Sprint "Iphone" Case

28 July, 10:13 AM

Frame #609

expedia called. curtis polk has something. hes all the way in riverside. ive never been there. its always been chase's territory. until now.

Sprint "Iphone" Case

2 August, 10:10 AM

Back to Samples of Literature: Table of Contents

Samples of Literature from The Gospel of Jesus H.

A picture of the planet Mars — An experimental science fiction Christology that makes Jesus the hard boiled narrator of his own early years on a bizarro earth made dark by volcanic ash and informally ruled by a man from Mars who sells bottled air.

Then the conglomerates came. They brought lots of suits. They brought water and air. They brought fuel. They brought lots and lots of diamonds and robots. The robots were the best, because they didn't need anything but fuel.

– Verse 6 from the chapter called Childhood

Then the big one came: the one that made it all possible: the people who put the first man on Mars: the company that financed the first expedition: Yariba Corporation, based in Tokyo. They sent three vice-presidents! Then the chairman of the board! Then all Class-A stockholders got a free trip. They patted themselves on the back. The news organizations took a group photo. Then they announced their largest endeavor yet: an integrated power and irrigation system for the entire planet. It took years, but they did it. They bought materials and fuel, diamonds and robots. They made contracts. They traded companies with other Martian conglomerates, and, finally, under contract with SIS (Secure Interplanetary Shipping), by the license of the United Nations Organization, Yariba Corporation transported the first nuclear bomb to Mars.

– Verse 7 from the chapter called Childhood

"You like grande cuisine," I said.

"Yes, very much. This work is wonderful. It's the most beautiful pièce montée in the world, I think. There's nothing like it, now or in the past. It makes Carême look like custard." Your grandfather smiled.

"What?"

"Carême. Antoine Carême? The nineteenth-century chef?"

"Yes, I know that. I didn't hear you."

"Antoine Carême would marvel at this. Look at this composition. It's grandiose. Look at how this pastry dough comes around here like that. Isn't that marvelous?"

"I think the chef must feel the justice of our cause."

"Yes, well, he's Polish just like you," said your grandfather. He smiled.

I smiled back. "He makes my nation proud," I said.

– Verses 49-57 from the chapter called Childhood

Back to Samples of Literature: Table of Contents

Samples of Literature from Sex for Children

A drawing of a man between a woman's legs in front of another man in a hospital bed — A literature book narrated by a pair of siblings on either side of the Atlantic whose profoundly weird sexual experiences pose a serious challenge to their traditional understanding of mathematicians, marriage, gay young men and God.

I'm getting ahead of myself: I was sitting there in that bathroom, letting it steam, while I sat there obsessing about a bottle of alcohol. It was so trivial. There was no real necessity of bringing a bottle - I hadn't promised anything. I should not have looked silly going there empty-handed - after all, it's Nike we're talking about. I could've left before the party and come back shortly afterwards with a bottle. Nike probably would've come with me. Or else he would've let me go; I would've insisted. He would've said it were silly to do so, but I would've looked over my shoulder and smilingly said, "It's for my own good!"

– Title 1, Regarding Peaches and Bananas, Part 2, Section 2, Letting It Steam, Paragraph 3

It had nothing to do with the bottle. Even as those thoughts curled within me, enveloping me, goadingly steeling me in the gathering steam, I knew the real reason for my decision: it was Macy. He would be there at Nike's house; I would have to see him, greet him after all this time, and, fearing the encounter, I knew that I would rather meet him in the context of a party - not the prepared emptiness, the disquieting silence that surrounds a house before its guests are welcomed.

– Title 1, Regarding Peaches and Bananas, Part 2, Section 2, Letting It Steam, Paragraph 4, Clauses 1-3

Once in fact, Macy and I spent the entire day together, sightseeing for the most part. I distinctly remember our trip to the fine arts museum. I excitedly showed him Bellini's naked woman, the one holding a mirror, and explained how Bellini was ninety years old when he painted her, and how so few women were ever portrayed with such openness.

– Title 1, Regarding Peaches and Bananas, Part 2, Section 4, Meeting a Man in Austria, Paragraph 7, Clauses 1-3

Back to Samples of Literature: Table of Contents

Samples of Literature from Tsiga Tsiga Tsiga

Bullets whizzing by a statue of Nikola Tesla — A collection of stories featuring a sexy Parisian ghost, a spooky Moon base full of vagina-faced aliens, a policeman with an Irish name, a truck full of watermelons, a flautist, and a man who has to see another man about a diseased horse.

"You realize she's my cousin. She doesn't put out?"

"What?"

"She won't let you in the ass?"

"No."

"I thought so."

"I'm not saying that."

"You want it in the ass-from her."

"I don't."

"She won't give it."

– from “Paris Is For Rapists, Too,” a ghost story featuring a frank discussion of the beautiful world of Paris

"You don't understand. I could never bring it up."

"You want me to ask?"

"No."

– from “Paris Is For Rapists, Too,” a ghost story featuring a frank discussion of the sex trade

A breeze puffed the woman's veil. An under-veil of white peeked out. The crown held them in place. The creases of a carefully wrapped linen wimple budged. The woman imperceptibly cocked her head. Imperceptibly, she squinted. She started holding her arms back as if preparing to run. My eyes fell to her pleated guimpe. It hung from her shoulders broad, firm, clear-finished-a serge from the fiber of a noble sheep. The chevron weave pointed down.

– from “Paris Is For Rapists, Too,” a ghost story featuring a frank discussion of half-naked nuns

Back to Samples of Literature: Table of Contents

Samples of Literature from Sorry Ms. Jackson

Chiseled letters from an ancient stone tablet hanging on a wall — A real play. With drama in it. Talk fast. It takes two hours. Set in a guest house. In a small community. After a murder. Lots of suspicion. The characters learn to listen to each other. It's funny.

(FLETCHER exits.)

MS. JACKSON: Kokomo!

KOKOMO: Yes?

MS. JACKSON: Where did you put it?

KOKOMO: On the terrace, ma'am.

MS. JACKSON: Why didn't you say so?

LESBIAN: I think she means lunch.

MS. JACKSON: What?

KOKOMO: Lunch is served.

– ACT I, lines 214-221

(LUKE and ALICE exit.)

LESBIAN: Don't worry, dear. It'll turn up.

– ACT I, lines 222-222

LUKE: Hoopani Koopani.

Hoopani Koopani.

Witi tay rah!

Kissa kissa kissa ha!

Winna tee, winna tee.

Tee tee ta.

FLETCHER: What the devil was that?

LESBIAN: It's a haka dance developed by the Maori people of New Zealand. I didn't know Aussies could appreciate it.

LUKE: It's me old school chant - thanks to the junior rugby union.

– ACT I, lines 369-378

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Samples of Literature from Miscellaneous Dingbats

The title of the book at the end of a string of miscellaneous dingbats — A story book full of short fiction stories. An interesting bedtime mystery. A fairy tale. Science fiction romance. Adult life. Uninspiring gay fiction. Horror.

I want to meet the beautiful Branca someday. In Hong Kong. On the hill. With a view of the harbor. I'm sure she's just as charming as Rebelo himself. Chinese face. Portuguese name. British accent. Living symbol of a land in flux.

– from “Beautiful Branca,” a true story that represents the spirit of the facts as much as I remember them

A black man in Moscow is not unheard of. There used be many of us. There were four of us in my neighborhood. Obama and Barack lived together in the gray block to the north. Khalifa lived down the street from me. We didn't necessarily like each other but we were all in the same boat. We had each come from the same poor country. We each had been invited to study in Russia. Back then, almost twenty years ago, we considered ourselves lucky. We were willing to go through any hell to see it through.

– from “A Black Man in Moscow,” an inspirational story that represents reality no matter where you are

On the fourth day I read aloud again from Dostoyevsky's The Idiot. I was practicing my diction. After I got tired of reading I started thinking aloud. I was discussing with myself the imagery in the story. Relating it to my own situation. After amusing myself in this way I decided I was being silly. I sat in silence again. I thought about Barack and his twitching and the general ignorance of people.

– from “A Black Man in Moscow,” an inspirational story that describes the mess we're in as people, though hopefully you're one of those helping to clean it up